10 jul. 2010

[salc:018] rule

Dancers share musicality by an intention transmission of their movement. This may be a thing by lasting strong communicability of the tango dance.

As for the great risk of the tango, empathy may poison the mind of the other.

Do you want to enjoy the risk? Or do you want to evade it?

The rule setting in the individual milonga becomes the guideline for the risk of such a kind.

28 ago. 2008

[salc:017] clothoid

However it may make ends meet naturally when you feel it comfortable...

Mathematically, Clothoid is used to express transition between two circular motion - e.g. Roller Coaster, an exit of expressway. (See also ref. 1 / 2 / 3 / 4 )

The transition to the comfortable leftward giro from a straight caminando, the moveline of the right foot during volcada, and the sparkle you genarated by the best colgada.

27 ago. 2008

[salc:016] anonymity

After when, there became full of the people who can be identified.

A masked ball, I could spend perfectly non-daily time with strangers - not sure with whom, but the most comfortable time.

It wants to be sometimes anonymity.

26 ago. 2008

[salc:015] messi

How Lionel Andrés Messi dances tango ?

There may be the one who blew up imagination to see the Olympic games.

This is a sense of the improvisation that human being has known newly.

People will come to find him in tango.

[salc:014] vortex

Dancers draw a vortex inside milonga.
Vortex appears when dancers begin staring at the each other.

Although, some guys may not start generating a vortex by themselves.

That is why there are pieces of cheese on the corner of the room, like a mouse experiment.

25 ago. 2008

[salc:013] traspie

The biggest pain I believe is dancing on a milonga which we can not traspie.

Difficulty in traspie seems to be arisen from the following two factors - speedy pace of the song and difficulty to pick up "doble tiempo" rhythm.

Then, how should we play Nocturna ?

Try using the percussion ! ( or emphasis the rhythm somehow.. )

8 abr. 2008

[salc:012] professional

In Japan, there seems to be a classification whether an instructor or an amateur.

The instructor simply means the person who teaches, but people tends to misunderstand like that an instructor should be a professional person.

He/She must be praised as professional person when an instructor organizes some party or plays as a DJ, but neither an amateur is.

As a result, such a sense obstructs the circulation of the tango market.

29 mar. 2008

[salc:011] parilla

Because many Japanese believe they should go on a diets desperately, there is the person who usually take supper with only pieces of sandwich or cheese before dancing.

However, they completely forget such a diet when wine becomes empty, Japanese rush into the izakaya to have a drink after tango.

That's why tango energy are quitely different in comparison with Argentina who rush into parilla before tango.

26 mar. 2008

[salc:010] staleness

The new style music that Piazzolla wanted appears in his performance or his arrangement.

But he would believe that the tone used in tango originally can transcend time like classical music.

A staleness seems to be rather highlighted even if someone will try to surpass his music in various meanings.

23 mar. 2008

[salc:009] a-priori

A tango dance includes beauty as a transcendental form, unless you concern about salida. So you can dance tango with any kind of music.

Paradoxically it may be said to enjoy tango as the folk music to salida expressly hearing old tango.